Saturday, June 22, 2024

Membaca Makna Joko Anwar's Nightmares and Daydreams

 
Joko Anwar's Nightmares and Daydreams (2024) adalah kisah tentang pertentangan kelas sosial. Fiksi sains, thriller, hingga gore horror jadi pembungkusnya.

Dalam serial yang pertama kali tayang sejak 14 Juni ini, penghuni kelas ekonomi marjinal jadi tokoh utama dalam lima dari tujuh episode. Dua lainnya menggambarkan kelas menengah yang pada akhirnya bersatu dengan kaum miskin tadi untuk melawan golongan super berkuasa.

Episode pertama yang berjudul Old House berkisah tentang seorang sopir taksi bernama Panji. Suatu hari tokoh yang dimainkan Ario Bayu ini mengantar perawat panti jompo yang dihuni para orang kaya. Anehnya, pengelola rumah besar itu menerima klien baru secara cuma-cuma.

Panji dan istrinya meninggalkan ibu mereka yang pikun di panti jompo tadi untuk menghindarkan putra mereka dari bahaya. Ayah satu anak itu lantas menyesal dan berusaha menjemput sang ibu.

Setelah masuk sembunyi-sembunyi, Panji melawan kekuatan yang mengeksploitasi masa muda. Sejenis makhluk aneh berjari empat menghisap vitalitas kaum miskin demi keabadian sang kaya. Itu pertentangan kelas pertama.

Episode kedua berjudul The Orphan, bercerita tentang pasangan pemulung Iyos dan Ipah. Diperankan oleh Yoga Pratama dan Nirina Zubir, mereka berjuang untuk keluar dari jerat kemiskinan melalui kejadian mistik: mengadopsi anak ajaib berjari empat.

Dalam satu adegan, Ipah diusir dari dalam restoran mewah yang menunya ingin dia cicipi. Benturan kelas sosial memang nampak di sana, tapi episode ini terasa lebih menekankan keserakahan.

“Greed is good” kata ekonom. Episode The Orphan lantas menunjukkan batasannya.

Episode ketiga berjudul Poems and Pains mengenalkan nama bagi kaum berkuasa melalui sebuah kata yang lebih mudah diterima dibanding mengenalkan mereka kepada penonton sebagai oligark: agarthan. Tokoh Rania yang diperankan Marissa Anita bisa berpindah badan. Gambaran kota tempat mereka berasal tergambar saat dia merasuki Adrian.

Meski episode tiga menampilkan Agarthan dalam wujud serupa manusia, episode setelahnya hanya tampak melalui pengerahan aparat. Berlatar di Jakarta Utara tahun 1985, Agartha sebagai sebuah “nafsu mengeksploitasi” pada akhirnya melahirkan “antibodi”, entitas yang dipilih “supreme being” untuk menjaga kemanusiaan.

Tahun 1997 terjadi resesi ekonomi. Seorang mantan petugas karcis bioskop bernama Bandi berjuang untuk bertahan hidup di sebuah rumah susun bersama istrinya, Dewi.

Memerankan Bandi yang terjebak dalam sebuah mesin waktu, Kiki Narendra bak Jack Nicholson yang hadir ke pesta di ballroom hotel Overlook dalam film The Shining. Kurun yang baginya terasa beberapa jam ternyata berlangsung selama dua tahun. 

Adegan itu bisa jadi mengacu ke “penghisapan” yang dikendalikan kaum super kaya alias agarthan. Istri Bandi sendiri menyaksikan itu meski gagal menyelamatkan sang suami.

Pada akhirnya Dewi yang diperankan Sita Nursanti menjadi oposan agarthan. Ia punya kekuatan khusus, sebagaimana terlihat dalam episode keenam berjudul Hypnotized. 

Dewi dan kelompoknya merekrut Ali, seorang teknisi elektronik yang buta warna. Kesulitan finansial akibat kelainan itu, membuat Istri Ali yang diperankan Poppy Sovia mencuri dari supermarket. 

Pada pangkal kisah, sosok yang diperankan Fachri Albar ini lolos proses seleksi Dewi karena dia berhasil “ambil kendali”. Salah satu kendali itu: menentang tindakan pencurian oleh Ningsih.

Di penghujung episode berjudul PO BOX, kekuasaan agarthan ditunjukkan melalui kuasanya menghilangkan manusia. Haydar Salishz yang memerankan Adrian tampil lagi sebagai agarthan berkedok menteri.

Bersama kawanannya, ia hendak menyantap mata Valdya, calon antibodi baru. Ini metafora untuk sebuah tindakan eksploitasi.

Beruntung rombongan antibodi datang menyelamatkan. Kaum miskin superpower pada akhirnya bertarung melawan golongan berkuasa, secara harfiah.

Secara kiasan, pertarungan proletar dan borjuis akan berlanjut di season 2 setelah anggota antibodi terakhir yang diperankan Asmara Abigail mau bergabung dan berujar: “let’s kick their ass”.[]


Sunday, May 5, 2024

There Are No Happy War Stories

 A UK based journal indexing site, Connecting Repositories (CORE) cites that "More than 90% of consumers have trust on the product or service which is commended by directly knowing people." It is somehow true in my latest case of deciding to watch Civil War.


I watched the movie as a result of a sudden decision which emerged from a casual conversation with Dian. The video journalist said that she was impressed by how relevant the title was. 


Civil War tells about four journalists who are trying to reach Washington DC. The US President apparently hasn't had any press statement for 14 months long in the midst of a running chaos in the country. Hence, a team consisting of a reporter, two photographers and a senior writer try to interview the national leader.


As a presidential palace journo, she might feel some closeness to the issue. Hence Dian recommended Addin who's also stationed at the same post. Eventually, I sat beside him and eavesdropped on her recommendation.


Hours later, I was standing at a train to go back home when my YouTube algorithm recommended me to a movie review. The reviewer praised Civil War as a perfect film with impressive sound mixing as well as good storytelling. As soon as the video reached its middle part I jumped out of the train and reached the nearest cinema.


The decision to watch Civil War at a cinema was a good choice. I really enjoyed every aspect of the movie. 


I got that emotional feeling when witnessing a tragic moment of a burning human. On another part of the 109 minute duration I can't help myself to not to throw a curse as the sound of a shooting gun is suddenly heard. 


Above all, the storyline highlights how war results in a cathastrope. According to the words spoken by Indonesia's Minister of Foreign Affairs, Retno Marsudi, in the 29 April edition of Tempo Magazine, "there are no happy war stories". []




Thursday, March 7, 2024

Behind The Interview

 This is a story from an interview session with Indonesia’s Culture Director General, Hilmar Farid. Last March my team conducted a chat about the Indonesian Heritage Agency (IHA), which is set to be officially launched on May this year.*

There was an interesting behind the scene story from the occasion. It’s about how Pak Hilmar and I filled the timing gap between the moment when he sat down in front of a SEA Today reporter and the time when our video journalists pressed the record button.

“Eyang datang”, I eavesdropped on a security officer who told his colleague about the attendance of one old man. 

As the man passed through the door where our team set the room as an interview studio, he looked inside. Some minutes later, Pak Hilmar told our team that he had to meet the man. 

“Sebentar ya, ke Pak Wardiman dulu”.

Later after concluding the meeting with the former minister of education, Wardiman Djojonegoro, Pak Hilmar told me that the 89 year-old man is currently focusing on research about panji, a series of stories which were engraved on temples in Indonesia. 

When it comes to panji, my mind recalls a meeting with Lydia Kieven, a researcher who wrote “Menelusuri Figur Bertopi dalam Relief Candi Zaman Majapahit” in 2014. In 2015, I met her in Frankfurt when I was attending the biggest book fair in the world, where Indonesia took a role as guest of honor.

Pak Hilmar nodded to my experience-sharing, and added that recently Kieven was in Indonesia. Fact checked: in 2023 an online news outlet quoted her analysis about a panji on Mirigambar Temple in Tulungagung, East Java. 

It was not surprising that Hilmar Farid has a broad connection to historians, archeologists and a lot of things surrounding those subjects. In fact, the 56-year old had gained a Ph.D. from National University of Singapore’s Cultural Studies in Asia after finishing his bachelor degree in Universitas Indonesia’s Department of History. 

It also made sense that the latest book he read was “Revolusi: Indonesia and the Birth of the Modern World”, a book written by David van Reybrouck. “Bagi kita itu bukan hal baru, tapi caranya bercerita menarik”, Pak Hilmar gave me a glimpse of his review.

The book has been translated to English from its original Dutch language. Interestingly, on an episode of SEA Morning Show’s Book Talk segment, Marissa Anita reviewed the book. Hence, although I haven’t read the title we still have similar things to talk about.

Aside from the book, we also talked about a film. I told Pak Hilmar that before I have becoming a producer, as a reporter I wrote the release of a “docugraphic” movie, “Begini Lho Ed!”.

He remembered the title but (understandably) forgot about how I interviewed him as a historian, with his long hair. The hairstyle was so distinctive that prior to taking this picture, I said that Pak Hilmar somehow is a rockstar. [] 

* The IHA interview URL link: https://www.youtube.com/watch?v=StfFs7KFiMU